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By Walt Whitman I celebrate myself, and sing myself, And what I assume you shall assume, For every atom belonging to me as good belongs to you. I loafe and invite my soul, I lean and loafe at my ease observing a spear of summer.3...
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 Page throws down some strong chords on the piano at 7:08. Climbing Up Trey switches his style, the tone and the jam begin to move in a different direction.  As Trey starts to lead out, Page gives some nice compliments on piano.
 Fish then slows the beat with some light cymbal work at 7:25.  This helps let Treys sounds float even further.  A subtle touch by Fish but it lifts the jam in a completely different direction.
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Ghost theme.  He tries first at 12:59.  Mikes Space Bigfoot says no.  Trey is stubborn though, and just forces a return to the theme at 13:12.  Not the best transition.  It certainly sounded like Mike and Page wanted to take that further.
 Then, yup its that time. Here we are having a nice intro, playing our song, and we just got run over by a tractor.  The drop is ugly, really ugly.  Luckily it doesnt take the band a long time to recover.
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No Segues before or after. Composed Section Trey begins this Jones Beach version with a couple of measures all to himself. Mike enters, then Fish, and finally Page.  A nice little intro jam breaks out, with some cool clav work from Page.
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 When Mike comes in, he comes in strong.  Fish also, has some sweet work here. At 2:35, right before the pause, things get ugly.  The pause is normal length and has some Fishman drums added to it.
 Trey starts to infuse a lick at the 4:45 mark, that he will work around.  The lick carves its way into the jam more and more with each passing repetition. Page does some cool clav work around this central Trey lick.


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